Paintings by Robert Joyette
Robert A. ‘Brooks’ Joyette was born in
Kingstown, Saint Vincent and the Grenadines, the
son of Rhonda I. Sutherland Maloney and Horton
C. Joyette. He attended the Edna Manley College
of Visual and Performing arts in Kingston,
Jamaica.
IN HIS OWN WORDS
Joyette is an artist who mainly works with
painting/ mixed media. By applying abstraction,
he presents every day objects as well as
references to texts, painting and architecture.
Pompous writings and utopian constructivists’
designs are juxtaposed with trivial objects.
Categories are subtly reversed.
Joyette creates situations in which everyday
objects are altered or detached from their
natural function. By applying specific
combinations and certain manipulations,
different functions and/or contexts are created.
By rejecting an objective truth and global cultural
narratives, he creates, with daily, recognizable
elements, an unprecedented situation in which
the viewer is confronted with the conditioning of
his own perception and has to reconsider his
biased position.
His works do not reference recognizable form.
The results are deconstructed to the extent that
meaning is shifted and possible interpretation
becomes multifaceted. By demonstrating the
omnipresent lingering of a “corporate world”, he
creates intense personal moments by means of
rules and omissions, acceptance and refusal,
luring the viewer ‘round and ‘round in circles.
His work urges us to renegotiate painting as
being part of a reactive medium, commenting on
oppressing themes in our contemporary society.
With the use of appropriated materials which are
borrowed from a day to day context, his works
references post-colonial theory as well as the
avant-garde or the post-modern and the left-
wing democratic movement as a form of
resistance against the logic of the capitalist
market system.
His works demonstrate how life life extends
beyond its own subjective limits and often tells a
story about the effects of global cultural
interaction over the latter half of the twentieth
century. It challenges the binaries we continually
reconstruct between Self and Other, between
out own 'cannibal' and 'civilized' selves. Robert
Joyette currently lives and works in St. Vincent
and the Grenadines.